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However, elsewhere, the report shares that only 3% of HLS production was HEVC and that "we have yet to see widespread adoption." Many commentators felt that Apple's support of HEVC in HLS would open the floodgates of HEVC adoption but that clearly hasn't been the case.
TV SERIES HEVC TV
Regarding HEVC, the report shared that "in 2018 we can report that HEVC has been promoted to many production workflows and we anticipate a very substantive increase in volume in 2019 driven by UHD HDR content as both premium HDR standards Dolby Vision and HDR+ map to the HEVC video format." So, the 4K-to-Smart TV outlook is bullish. Regarding H.264, the report states, "We believe its growth was bolstered in 2018 as many customers decided to adopt a dual manifest DASH/HLS fMP4 CMAF workflow before they explored any advanced codecs such as HEVC for OTT delivery." The report adds valuable insights to the numbers. Table 1 shows the OTT codec output (as opposed to intermediate format) in 20. The report reflects 's production for its customers for the previous year, so the 2019 report is about 2018 encoding. Global Media Format ReportÄ® publishes its Global Media Format Report right around NAB, and you can download the it here. I'll discuss these in the order that they were published, starting with. This will put the stamp on what we know this year and set the stage for 2020. I know Thanksgiving was a couple of weeks ago, but as we close out the year, I want to say thank you to the three suppliers of codec-related usage data-Bitmovin,, and LiveU-and summarize the data they supplied us in 2019.